Culture/Movies
Lost Highway
MOVIES by David Lynch
Culture/Movies
MOVIES by David Lynch
Culture/Movies
A microcosmic metaphor for the racial infiltration of a host society with Vincent erasing traces of his true identity and appropriating the name, life, and genetic profile of an in-group member.
Culture/Movies
The lack of overt moral commentary from Joker in this scene is notable; it highlights a calculated moral void or a resignation
Culture/Movies
MOVIES | David Lynch | 1992
Culture/Movies
**Narrative** can - and is - used as a weapon, influencing group attitudes, behaviours, and collective trajectories, being leveraged as a form of psychological and spiritual predation.
Culture/Movies
The pervasive feeling is that once one crosses into the abyss, there is no true return to a previous state of innocence
Culture/Movies
In this fictional world, globalism never happened, mass immigration never happened, political correctness never happened.
Culture/Movies
Despite its seemingly scientific surface, the film is deeply gnostic, presenting salvation through an inner spark of deity and secret gnosis rather than exterior redemption.
Culture/Movies
28 Days Later is a significant horror film exploring themes of racial identity, societal collapse, and the future of England...
Culture/Movies
The chaplain questions whether "God wants goodness or the choice of goodness," pondering if a man who chooses evil might paradoxically be better than a man who has the good imposed upon him.
Culture/Movies
Bateman is a satanic figure, filled with disgust and pride, his ultimate desire is the total destruction of the world. He perceives no value in anything, leading to a state that is not merely fatalistic but actively nihilistic.
Culture/Movies
The establishment was horrified by the first film’s success. The *wrong* people identified with the wrong aspects of the character. The audience sympathised with the nihilist rather than rejecting him.